This thrill may be especially pleasurable in a context where there’s no real threat to us, Turvey said. “The idea is that horror fans are wired or socially formed in such a way that they get a kick out of the fear and other strong visceral sensations of watching horror films,” Turvey said. Other theories focus on the thrill that fear offers, particularly for “sensation seekers,” who may also enjoy other adrenaline-spiking activities such as bungee jumping.
“You could say it’s that process of discovery that we enjoy, as the philosopher Noël Carroll argues.” “One thing in horror narratives is the process where people find out the nature of the monster-its powers, its weaknesses, where it came from,” Turvey said. This creates a mystery that draws us in, Turvey said. “What Ted Bundy did is horrific, but his psychology is so aberrant, we want to understand what’s going on in his head.”
Why we play horror games serial#
“We’re endlessly fascinated by monstrous entities, psychotics, serial killers,” Turvey said. Or we might not endorse the monster’s actions, but we may find it captivating. We could enjoy rooting for the protagonists as they battle the monster, Turvey said. “According to this idea, although we consciously disapprove of what the monster is doing, deep down part of us enjoys seeing the murder and mayhem the monster unleashes-because if we could, we would do that.”īut not everyone enjoys every horror film, which suggests other factors are at work. “It argues that an unconscious, repressed part of every human is actually savage that the veneer of civility is very thin, and beneath that is essentially a monster,” Turvey said. “The beast within” is the most popular theory explaining the genre’s popularity, according to Turvey. “Perhaps a better way of thinking about horror, and indeed all genres, is that there are cases that are central to the genre, and borderline cases that fit in some ways and not others.” Why People Enjoy Horror “Works like that trade on an ambiguity about what’s going on,” Turvey said. That said, there are many scary films- The Blair Witch Project or The Haunting, for example-which never clearly establish that there is a monster, but are commonly considered part of the genre. “A lot of monsters are designed to be explicitly or implicitly disgusting.” “Horror is a genre in which disgust is central as an emotion,” Turvey said. No matter what the monster looks like, many argue it must have one key characteristic, which distinguishes it from monsters of other genres such as sci-fi. “When you start looking at human monsters, they’re often thinly disguised supernatural beings, who actually only have the appearance of being human,” Turvey said. In these cases, the human typically has superpowers-Hannibal Lector seems to able to read minds and pull off impossible escapes, while Michael Myers can disappear and often returns after being shot, beheaded, or set on fire in the previous film. The monster is often otherworldly or violates the laws of nature, as in Alien or Jaws-but some argue that a human character can be a monster, as in Psycho, Silence of the Lambs, and Halloween.
“Some theories argue that for a work to be classified as horror, it has to have a monster, which has to be threatening in some way, shape, or form,” Turvey said. There are many different theories, according to Turvey.
Why we play horror games movie#
“But it’s a wonderful, popular art form through which very complex ideas and creative techniques can manifest themselves-and if you can get past that very cliched view, you realize there’s an embarrassment of riches in the genre.” What Makes a Horror Movie a Horror Movie It has a reputation of being a low, somewhat trashy, titillating genre that appeals to our basest instincts,” Turvey said. “Horror is a genre that people tend to look down upon and not take very seriously.
Why we play horror games skin#
Malcolm Turvey, director of the Film and Media Studies program and a professor whose courses have included one called The Horror Film, has answers-and a list of flicks that will scare your socks off, make your skin crawl, and teach you a thing or two about the human condition in the process. But why are people so eager to watch monsters and murderers stalk through haunted houses and jump out of dark corners? Come to think of it, what makes a horror movie a horror movie? In fact, they’re a mainstay of cinema, going all the way back to Frankenstein and Dracula in the earliest days of talkies in the 1930s and German Expressionist films like Nosferatu in the silent era. As countless people head to theaters to see Michael Myers terrorize Laurie Strode in the eleventh installment of the Halloween series-or load up the DVD player with classics like A Nightmare on Elm Street, Psycho, and Silence of the Lambs, it’s worth considering that horror movies aren’t just a highlight of the month of October.
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